NeoNio на пк

1. Displayed as a circle of icons issuing images and sounds, Nio’s design and appearance is to a certain extent dependent on my actions and interferences as a reader/player: the icons I bring to live participate in a dance of letters that change their shape with every new addition or deletion, the music changing only minimally in its repetitive gestures.

2. In Nio and in much of his other work, including his visual poetry, Andrews attempts to rethink the relationship between poetry and language, creating interactive poetic experiences that utilize texts of various kinds that don’t rely on words to provoke a response from the reader.

3. In the first verse, those clusters of letters then do a kind of animated dance in the center of a circle as the voice loop they signify is sung.

4. NeoNio is an upgrade of the 2000 Director interactive music piece mentioned by Matthew Mirapaul in the New York Times in his column on the best net art of 2001.

5. In two verses, Andrews provides the reader with two different ways of mixing clusters of letters, each of which have a musical voice track attached to them.

6. In an accompanying essay, ‘Nio and the Art of Interactive Audio for the Web’, Andrews explains that he’s ‘trying to synthesize and transform image, sound, and text, not simply juxtapose them.

7. In verse 1 of NeoNio, the player can layer 16, 4-second music loops.

8. "Jim Andrews’ work Nio presents the reader with a complex aesthetic experience that makes use of phonemes and letters but not of words.

9. Andrews’s piece is a cross between a sound poem, kinetic visual art, and an interactive musical instrument.

10. Here, as in much other digital poetry, the concept of play has pride of place as a bodily (re- )activity: Nio only materializes in a ‘ludic’ interaction with the reader/user.

11. Letters in motion and the human voice alone, devoid of explicit denotation, can impart a great of emotional and semantic content.

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